Showing posts with label History. Show all posts
Showing posts with label History. Show all posts

Monday, April 18, 2016

Walking on Eggshells - Two Stories of Art and Immigration.

Last week I was invited to two art events, both of which I knew would be very different. Tuesday was the launch of a Masters student's art installation at the National Art School. "Red Journey with Two Perspectives" by Pamela Leung. Wednesday was a 30th anniversary celebration party at The Billich Gallery in The Rocks, Sydney.

"Red Journey with Two Perspectives" consisting of Leung's two installation pieces "Beyond Birth" and "I Am Alright, I Am Not Alright" directly address timeless issues of immigration - fragile, ephemeral, tactile, these introspective yet accessible works; detailing - the emotional and psychological trauma and hazards of having to, needing to; leave a country, under duress - in finely realised contemporary artworks. (Continues below)
portrait of Pamela Leung with "Red Journey with Two Perspectives" by Kent Johnson.
Pamela Leung with "Red Journey with Two Perspectives"
 "Red Journey with Two Perspectives" "beyond Birth" (detail) Photographed by Kent Johnson.
Pamela leung, "Red Journey with Two Perspectives" "I Am Alright, I am Not Alright"  Photographed by Kent Johnson.
Then Wednesday, the 'Erotica' party and 30th anniversary celebration at The Billich Gallery.
(continues below)
Charles Billich mingles with guests, Billich Gallery 30th anniversary party. Photographed by Kent Johnson.
Charles Billich mingles with guests, Billich Gallery 30th anniversary party.
Gallery view, Charles Billich mingles with guests, Billich Gallery 30th anniversary party.
After the art of Leung, one might assume on seeing the commercial leaning(?) fine art of Charles Billich, that he has forgotten his migration story; embracing his personal freedom and an Australian identity completely.

And yet it was during Billich's speech that he directly referenced his early journey to Australia, from communist Croatia sixty years ago, one where he had been incarcerated for his politics and faced a future of uncertainty. In researching Billich for this brief article, I found some 2011/2012 wordpress blog posts, fictional letters, to himself from Josip Broz Tito, written to him from-hell no less! No he has not forgotten his past.
Speeches at the Billich Gallery 30th anniversary party.
Now recently I read the work of the Czech-born writer who went into exile in France in 1975, Milan Kundera's The Curtain, 2005; a series of essays on art and history. It's the reading of the Kundera text that made me much more aware of how non-linear art-styles/movements really are and how culturally embedded our perception of how art should be, is. On page 52 of The Curtain Kundera writes
"..I began to marvel at the fact that the terms "novel,""modern art,""modern novel,"meant something other for me than my French friends. It was not a disagreement; it was, quite modestly, the recognition of a difference between the two traditions that had shaped us." and so on.

It seems very much like a case of, the art victor writing the history as they see it and goodbye to the rest.. So now there is a predominant belief that art flowed through quite specific Central & Western European developments mostly ignoring the outliers of European culture, then war took ART to America; and the rest, of course is history..

And there's another curious side to modern and contemporary art, the prickliness between "applied" art (graphics, photography, design, (advertising)) and "fine"art. Certainly in Australia one is seen to be somewhat tainted as an artist if you made your living in the world of applied art; before you took on a role in fine art. All of which may come as something of a surprise to art lovers who are outside of the closely cloistered fine art networks. After all didn't Andy Warhol work as a very successful illustrator before becoming one of the most famous artists of modern times! Haven't we have moved on from all that by now?

So two evenings in a row, two very different art shows, and yet very pertinent and current Australian stories and a connection out of similar experiences for both artists, taking place both 40 and 60 years ago respectively. For both Pamela Leung and Charles Billich are immigrants who chose Australia to escape danger, to find a new home, and thankfully to make art here as well.

http://www.pamelaleung.net/
http://www.billich.com/
http://www.uniqueeventphotography.com.au/

Telling Stories in Pictures all over Sydney..
Kent Johnson, Sydney, Australia.
0433 796 863

Wednesday, July 1, 2015

An Exotic Brisbane, Winters Odyssey - (Brissie you've Changed)

For those of you who may not be aware, and there is no reason you should be.. I grew up in Brisbane, and spent the formative years of my life there including three and a half very-important-years at the Queensland College of Art where I was a major in photography. Although residing down south in Sydney for many years now; one of the things that has stuck with me most, about Brisbane, then-and-now is that Brisbane is exotic! Don't ask the locals about that they won't know what you mean, or worse, may think you are having a go at them. But Brisbane is Exotic, and it's hot, hot and humid, because it's subtropical, which is a big part of why it is exotic. It still has a good collection of colonial era, tropical style architecture (that survived the Joe years), and  famous 'Old Queenslander' houses too, and it has these little patches of remnant bush land, close to the city and dotted all about. And because during WW2  as Pacific headquarters of U.S. General Douglas MacArthur 1,000,000 American servicemen passed through the city; (and the legendary Battle of Brisbane as Aussie servicemen fought the Yanks!) Some things a city never forgets. Because Robin Gibson and successors did such a great job on the South Bank arts precinct, arguably Australia's finest. Then there's the river, there's Morton Bay, Stradbroke island AKA Straddie, and now, while not exactly exotic, there is life right in the city now too; something we would dream of but could hardly imagine back in our day.. as seen from the 26th floor apartment I stayed in, one of the many tall apartment buildings now dotting the Brisbane skyline. Oh yes Brissie, a lot of you has stayed the same, but Brissie you have changed! Mouse over pictures for details.

Brisbane apartments and city hills, skyline, the view from the 26th floor I Stay River City. By Kent Johnson.
The view from the 26th floor I Stay River City.
A skateboarder in Albert street Brisbane, seen from the 26th floor. Photo by Kent Johnson.

Old fig tree and modern high rise office buildings, Brisbane CBD. Photo by Kent Johnson.

Sharply detailed shadows on a Brisbane street. Photo by Kent Johnson.

Anti-Vax street march in Charlotte street Brisbane June 2015. Photo by Kent Johnson.
Anti-Vax street march - maybe Joe was right..
Ferris wheel and QPAC, South Bank Brisbane from Victoria Bridge. Photo by Kent Johnson.
Ferris wheel and QPAC, South Bank Brisbane from Victoria Bridge.

Knit Your Bit, outside the Queensland State Library, South Bank Brisbane. Photo by Kent Johnson.
Knit Your Bit, outside the Queensland State Library, South Bank Brisbane.
Exhibition detail. MICHAEL PAREKOWHAI THE PROMISED LAND. Photo by Kent Johnson.
Duchamp & Degars dreaming - Michael Parekowhai, The Promised Land (detail) GOMA.
Combi van in forest, exhibition detail. MICHAEL PAREKOWHAI THE PROMISED LAND. Photo by Kent Johnson.
Michael Parekowhai, The Promised Land (detail) GOMA.
Colonial Mutual Life Building now The Manor Apartments, Queen Street Brisbane. Photo by Kent Johnson.
Former CML Building 1930 ( now The manor Apartments), always a favourite & the GPO.
The arcade Brisbane GPO. Photo by Kent Johnson.
Sandstone arches, Victorian architecture, the arcade Brisbane GPO.
Laneway and new hight rise building Brisbane. Photo by Kent Johnson.

1970 Len Shillam sculpture, Post Office square Brisbane. Photo by Kent Johnson.

Plaque for 1970 Len Shillam sculpture, Post Office square Brisbane. Photo by Kent Johnson.

Old State Library Brisbane, Mosaic Mural 1958  by Lindsay Edwards. Photo by Kent Johnson.
Old State Library Annex Brisbane, Mosaic Mural 1958 by Lindsay Edwards. 
Sculpture Morning Star by Jon Barlow Hudson, Brisbane City Botanic Gardens. Photo by Kent Johnson.
Morning Star by Jon Barlow Hudson
South Bank QAG, State library. "Approaching Equilibrium" by Anthony Pryor 1951-1991; Meriton apartments in background. Photo by Kent Johnson.
"Approaching Equilibrium" by Anthony Pryor 1951-1991
WW2 Bunker? Under the Storey Bridge. Photo by Kent Johnson.
Under the Storey Bridge, a WW2 bunker? 
Luxury Favelas on the river, Bulimba Brisbane Photo by Kent Johnson.
Luxury Favelas on the river, Bulimba Brisbane viewed from New Farm.
Shadow on house at night - Dornoch Terrace Brisbane. Photo by Kent Johnson.

The vibrant West End night markets food stalls. Photo by Kent Johnson.

An Elvis impersonator entertains onlookers at the vibrant West End night markets. Photo by Kent Johnson.
An Elvis impersonator(?) entertains onlookers at the vibrant West End night markets.

A panoramic view of Victorian era Queenslander houses and the view back to Brisbane city from the top of Teneriffe hill. Photo by Kent Johnson.
A panoramic view of Victorian era Queenslander houses and the view back to the city from the top of Teneriffe hill. 
A very steep hill and Our Lady of Victories Spanish Mission Style Church Bowen Hills, Brisbane. Photo by Kent Johnson.

Steep public steps viewed from the top of Teneriffe hill.Photo by Kent Johnson.
Steep public steps leading to the top of Teneriffe hill.
Wild scrub Turkey on path Teneriffe Bushland Park. Photo by Kent Johnson.
Wild scrub Turkey on path Teneriffe Bushland Park. 
Queensland Musical Theatre practice hall, Teneriffe Brisbane. Photo by Kent Johnson.
This is not GOMA...
Wild scrun turkey walks along pavement near luxury riverside units Teneriffe Brisbane. Photo by Kent Johnson.

Clouds and river view from city cat ferry, Bulimba reach. Photo by Kent Johnson.
Clouds, view from city cat ferry Bulimba reach.
Artist portrait of Dennis McCart at the opeing night of his show 'Beneath Our Feet' at The Hold Artspace in West End, Brisbane. Photo by Kent Johnson.
 Dennis McCart at the opeing night of his show 'Beneath Our Feet' at The Hold Artspace. 
Patrons Shoes, The Hold Artspace in West End, Brisbane. Photo by Kent Johnson.

Art Sniffers at the 'Beneath Our Feet' exhibition, The Hold Artspace in West End, Brisbane. Photo by Kent Johnson.
At the 'Beneath Our Feet' exhibition, The Hold Artspace in West End, Brisbane. 
The autor and friend on the take a selfie on the riverside walkway New Farm with the city and Storey Bridge in the background. Photo by Kent Johnson.
Love you Brisbane! Thank YOU.