Two lovely shows and it's NG's third birthday. Congratulations!
NG Gallery Sydney











As a younger man growing up in Brisbane winter was my favourite time of year. In the Sub Tropics it's the only time of year you get to layer up with jackets, coats, shirts and neckties. I loved it then & I still do. And of course no one can break a heart quite like a Brisbane girl... And so perhaps it was in some way appropriate having recently had my heart broken by a beautiful and stylish Brisbane-girl-in-Sydney that I should set off to the Doc+ors to mix and mend my broken winter’s heart.
It was nice to see so many splashes of colour mixed in with winter coats and jackets. Even I made a special effort last night donning a vintage 80s leather Blouson, the full New Romantic catastrophe over a bright yellow checked shirt with vintage cotton knit necktie. The splashes of colour, Reds, Blues, Greens, reminded me that Rhiannon was quite right, winter doesn't need to be dark at all but can instead be about 'All The Colours Of The Rainbow' as styled in our editorial shoot for Le Magazine.
Last night I had my first chance to attend a Bill Henson opening. Yes I am a fan, yes I have been following him since the early 80s & love his work. I am certainly not alone there; this was the biggest crowd I have ever seen at Roslyn Oxley9 and possibly the biggest opening crowd I have seen outside a major art event.
The show was opened by Edmund Capon and I was fortunate enough to witness a rather beautiful moment on E.C.s arrival. Quite a wonderful greeting, Bill, Edmund, Roslyn; at the top of the stairs, a show of intimate solidarity. Then everyone that could made there way toward the already very full main gallery. Edmund gave an inspired speech reported in part in the Sydney Morning Herald Here & Here. I am not sure about Miranda Devine's comment in the SMH about no cameras in the gallery. I waved my G10 around over my 6'4" head and no-one said boo to me!
Art & Fashion mixed it up big time in this designing duos x 10 Couture collabo extravaganza at NAS, the National Art School last night in Sydney. As I think you my wonderful readers are fully aware by now. Most of the 'street style' I blog about here usually happens when I am out at art openings; personally I think this is just fine as the art crowd usually have a mind of their own & tend to do things a little differently anyway. So last night at the NAS where I have attended many memorable openings (one of my most memorable experiences was beating author & art critic Robert Hughes to the very last glass of red wine one night by the slimmest of margins), was an event stylish, fun and quite I think outside of the usual.
We knew we were in for a stylish night right off the bat when we saw one of the shows Creative Directors Emily Fitzgerald in a stunning dress (which I shall describe later) and the most serious set of door people I have ever seen at an NAS opening. There was going to be no sneaking into this show!
And so it was that even though I had asked exhibiting designer & photography client of mine Shadi Tambrchi of Lulu in Chains if she could 'get me in' unfortunately this was a strictly +1 event. I even asked Emily a few weeks ago at another opening if she could slip Street Fashion Sydney a press pass only to find out I had left it too late, the event was already over subscribed. Fortunately, Freelance Stylist/FashionWriter/Editor extraordinaire (and personal friend) Rhiannon Bulley had a +1 press pass for Tangent Mag. And so it came to pass that a handbag I was to become, or at least a friend that could carry one.
Rather than doing the oh-so-boring thing of putting a picture up with the designer info below it I am going to give you all the the link to the 'Being Born Again' website (navigate to the Artist/Designer Collabbo page) and see if anyone out there; can can guess/see/work-out which dress belongs to who. I think the (mildly blurry atmospheric) shots contain all the clues you need; the magic link is HERE.
But enough already, on with the show!
1Telling Stories in Pictures all over..
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